St Katherine |
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The west end of this little church is approached through two gate posts directly from the main road. The picture below
shows detail of the rather ornate and slightly top-heavy clock. |
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The gallery is approached up a steep and narrow staircase immediately inside the door at the west end of the church. What quire there might have been who used this gallery we do not know, nor where John Betjeman obtained his references from, but it is reasonable to suppose that there was such a quire. The neighbouring village of Marsh Baldon did have a quire, and one of the manuscripts they used has been preserved. |
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Two views of the three-decker pulpit - the Clerk would have sat at the extremely small desk in the adjoining pew to the left of the pulpit. This is a seventeenth century pulpit, being a survivor from an older church on the same site. |
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Reading the lesson at a west gallery Evensong on 23rd September 2001, Amelia Murphy from the west gallery quire Sussex Harmony. Members of the Oxford west gallery quire Oxford Occasionals were augmented for the day by members from a number of other similar quires* in the south of England. |
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Details of the pews. The larger pew at the front was probably for the squire who lived in the adjoining Manor house, now called Chiselhampton House. This was designed by a London architect, Lancelot Dowbiggin, who possibly also may have had a hand in the design of the church. (This point has not been proved.) |
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The large pew immediately under the pulpit was eventually taken over by the Harmonium, which no doubt replaced the village band as provider of music in church. |
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Photographs: © 2001 Edwin Macadam |
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